For Songwriters Who Don't Perform

You Write the Songs. You Don't Have to Sing Them.

A free, plain-English guide to how non-performing songwriters get their songs professionally finished, released, and protected — the release structures, the real costs, the rights you keep, and how to prepare a voice memo a producer can turn into a record.

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Some of the biggest "artists" in music history don't sing on their own records. They write them, shape them, own them — and other voices carry them. That structure isn't a secret handshake for superstars. It's a working model, and this guide explains it for writers like you:

  • The three release structures — under your name with a featured voice, placed with an established artist, or produced privately for the people the song is for. What each means, with the history behind them.
  • What a professional commission actually includes and costs — honest ranges, no mystery. You'll know the numbers before anyone asks for yours.
  • The rights primer — what stays yours (your publishing), what gets agreed in writing before work begins, and the terms-first rule that keeps partnerships healthy for years.
  • The one-page voice memo method — how to capture a song idea so a producer can actually build from it. Useful within the hour, whatever you do next.
  • A real story — twenty songs, one writer who never performs, and what that partnership looks like from the inside.
From Deyder Cintron — producer, songwriter, and vocalist: engineer on four Grammy-nominated recordings in four consecutive years, Bronze medalist at the International Songwriting Competition, co-writer alongside Pam Sheyne ("Genie in a Bottle"). Songs produced in neutral American English, and in Spanish with a native Puerto Rican voice.

The songs are written. Here's how they get finished.

Instant delivery. A few letters from the studio after — leave anytime.

On its way.

Check your inbox for The Songwriter's Path to a Finished Record.